Book One Author Interview       (find interviews for books 2-5 below)

 
H.C. – Where did you get the inspiration for this story?

The Boy with Golden Eyes was written as a gift for my great-nephew Sammy. He and his family live in New York City, but spend summers in Seattle, where I live. Since he enjoyed the stories I made up for him, I promised to write him a tale and e-mail it to his Dad. I had no idea what the story should entail, but one night, while falling asleep, the image of a golden-eyed boy, living isolated in the forest with his grandparents, appeared before my eyes. 

I sat down to write the following day, and completed chapter one in a single sitting. I was taken by surprise at how events unfolded, yet somehow felt the story had already taken form, and I was merely setting it down.

Sammy himself was in great part the inspiration for young Rupert…they both being adventurous, bold, highly intelligent, and with a burning curiosity about the world. As I continued on, many of my life-long spiritual experiences and adventures found their way into the saga.

 
H.C.  Did  you follow a certain routine while writing?

As a rule, I chose early morning to write. I’d shut off the phone and, having read the previous chapter the evening before, proceed. I always completed each chapter in one session, obviously allowing for revising later on. At times, I realized what would be unfolding in the new chapter, but often I would have no idea as to what was about to occur with young Rupert and his friends. So, strange as it may seem, I myself would be in a good deal of suspense, wondering what was about to happen! The words seemed to flow through me in a mysterious fashion, and, upon reading the completed pages, I would be taken aback to observe what had been revealed! So, clearly, I did not plan the storyline in advance…it presented itself as I went along. It was always a joy and pleasure to work on the book.

I would e-mail Sammy each chapter upon completion (and as word spread, others would receive it as well). Sammy and I would spend many hours on the telephone (or face-to-face during the summer months) discussing the story and its possible developments. He was a constant source of ideas and inspiration.

 
H.C. – I’ve heard you describe this novel as a “non-fantasy-fantasy”. Please explain.

As I progressed with the tale, it  became clear that this story should, in at least some respects, be ‘realistic’ and even the more fantastical elements  be in some way believable. There have been endless tales of wizards, dragons, magical powers, and the like, from ancient times till the present. For that reason, I felt no need to revisit such stories, and wished to make Rupert and his friends fully human, though extraordinary. Yet an aura of deepest mystery certainly prevails throughout!

 

H.C. – Why did you choose to make Rupert 10 years old? How is that point important to the story?

 
At the time I began, Sammy was only seven. I wished to make the hero a bit older, but not close to fully grown. Also, if Rupert were in his teens, it seems to me that he’d already have taken it upon himself to leave the forest, and would appear very passive had he not done so. I did wish to create an element of risk and danger at being abandoned at a very tender age, yet have my hero bold enough to seize the opportunity to set off into the unknown.

 

H.C. – Only certain people can see Rupert’s golden eyes. Why is that significant?

The mystery of Rupert’s golden eyes remains, in part, hidden, even from me! Why are most people blind to them? In the novel, this very subject is presented as one of two possibilities: a curse to keep him from claiming his rightful place, or a blessing to keep him from harm. The truth of the matter is yet to be revealed.

 

H.C. – Why are there no significant female characters in the story?

I certainly did not plan to avoid having any female lead characters…aside from little Lira….in the tale. However, as mentioned previously, the tale unfolded itself as I went along. While important women certainly make appearances (the lady with the basket, the three ‘sinister beauties,’ Sarah, etc,) I always presumed a female who had a substantial role would make an appearance. However, she failed to do so, and I did not wish to force the issue by artificially pushing one into Rupert’s story.

 

H.C. – One of the main characters, King Ryker, is never seen. Can you comment on why this is so?

Yes, I do realize this is highly unusual…to have the villain remain off-stage, so to speak. Again, I relied upon the story to unfold before me, and I eventually came to understand he was not about to materialize.

However, this turned out to make perfect sense. After all, the saga is experienced strictly through Rupert’s eyes. It seemed both unrealistic and jarring to have any ‘meanwhile, back at the castle’ type of interruptions to Rupert’s story. ‘Ordinary’ folk like Rupert would have no access to the usurper king’s actions, secret thoughts, or plans. Of course, ultimately, they must cross paths and engage in a life-or-death struggle for the throne.

 

H.C. – The time period and location of this novel are somewhat ambiguous. Any reason for that?

Clearly the novel means to suggest a ‘medieval European’ setting. In my mind’s eye, I saw perhaps England or Ireland. However, this is a fantasy, and if I pin-pointed any particular time or place, I would be expected to maintain a degree of accuracy reflecting that. 

For example, I imagine the time-frame to perhaps be the twelfth or thirteenth century. However, during that period, printing had not been invented in Europe. Therefore books would not have been available…as they were to Rupert. Yet, being a story where even the name of the kingdom is not revealed, I had a great degree of latitude in framing things to my liking.

 

H.C. – You are known in your community as a spiritual counselor.  Did this role serve you as you wrote the novel?

Very much so! I have had so many amazing psychic and spiritual experiences since earliest childhood. Friends have often encouraged me to write my memoirs. But I felt certain that most people would find my encounters too strange to credit! However, I could freely incorporate them into this work of fiction, and the reader could take them as ‘mere fantasy.’

 

H.C. – I know that you have traveled extensively around the world.  Are events in your novel influenced by some of your experiences?

Yes, indeed, my life as a traveler has taken me to many countries in Europe, Asia, Central and South America, and the Middle East. Encountering so many beliefs, cultures, languages, and customs was truly a blessing and quite unforgettable. I harkened back to many of these memories as I wrote the book. This will become more apparent in future installments of Rupert’s saga.

 

H.C. – While you were writing, did you think of an overall theme or motivation for the story? 

I believe each reader will find his or her own insights and hopefully inspire each person in a different way. I did have several themes in mind as I continued writing. One was the ‘tapestry of life’ that is mentioned on several occasions. That is, that only by standing back with detachment and taking in the entire picture of our life up to the present moment, can we truly begin to comprehend where all the pieces fit into the greater whole.

A complementary theme might be that ‘that there are no mistakes – only opportunities to learn.’ I believe this with all my heart. Everything that we encounter in life…from the most glorious to the most tragic and painful, can serve as a springboard to greater knowledge, compassion, understanding, growth, and love.

 

H.C. – You’ve hinted at a sequel to The Boy with Golden Eyes. Can you comment?

I believe Rupert’s saga is just beginning! In fact, book two has already been completed, and I’m now hard at work at the third installment. As mentioned previously, Rupert and his adventures seem to have a life of their own, and demand that I put them down. Yet, I enjoy the process immensely. Beyond that, I myself am in greatest suspense to find out what will happen! And so, the writing continues!

In the second installment, which deals with the odyssey to Raja-Sharan, Rupert and his comrades face astonishing mysteries, intriguing new characters, and continual challenges to Rupert’s ever-developing powers.

[The interviewer, Helen C., is a retired educator and world traveler. On a serendipitous day in July, 1987, she met Marjorie Young in Japan and they have been close friends ever since.]
 

Book Two Author Interview

 H. C. -Since its publication in 2010, how has your first installment, The Boy with Golden Eyes, been received?

I have been delighted with the book’s reception. It has found readers of all ages, which initially surprised me. I’d often hear reports of parents, aunts, grandparents, etc, buying the book for children in their lives, only to glance at it, become fascinated, then refuse to hand it over until they’d finished themselves. Many have reported becoming entranced by ‘Rupert’s world,’ reflecting upon it as they fell asleep - even dreaming about it. Obviously, it’s wonderful to have created a universe that others may enter and ‘inhabit’!


H.C – I’ve also heard your novel has been awarded several literary prizes.

Yes, The Boy with Golden Eyes was chosen best Young Adult Novel at the Los Angeles Book Festival. It received second place at the Paris Book Festival, and also gained Honorable Mention in New York and London. Obviously, I was thrilled to receive this unexpected measure of critical acclaim.


H.C. – Your great-nephew Sam provided inspiration for the creation of ‘Rupert’ in the first book. Did his contribution continue with book two?

Absolutely! Just talking with Sam and spending time together inspires the unfolding tale. Of course, he always has marvelous suggestions and feedback to offer. Being with him is like having ‘Rupert’ there before my eyes. And of course, his image is on the cover of the 2nd book, and this will continue throughout the series.

His younger sister, Lucie, has also helped a great deal in giving ‘Lira’ life. Without doubt, ‘The Boy with Golden Eyes’ would never have seen been created, but for them.

I should not fail to mention that their father, my nephew Michael, contributed some wonderful ideas for The Prophetic Journey, especially influencing the book’s ending.


H.C. – How does ‘The Prophetic Journey’ differ from the first part of Rupert’s saga?

Book two greatly expands the stage upon which Rupert’s exploits are carried out. Book one revolved around the discovery of his true identity, gathering a small band of comrades, and then being forced to flee their homeland, while relentlessly pursued by the brutal soldiers of the usurper King Ryker.

Having escaped into neighboring Zurland, however, their journey has hardly begun. Rupert, experiencing a ‘prophetic vision,’ now finds his ultimate destination to be the tremendously far-off and fabled kingdom of Raja-Sharan. There, he hopes to obtain aid from distant royal relations in his ultimate quest of regaining his own crown. Yet the true purpose of this odyssey has yet to be revealed.

This epic journey will take the Golden-Eyed Prince across multiple territories, where he will encounter the harsh and dreadful obstacles which nature and humanity may offer. Rupert’s abilities will be called upon in ways heretofore unknown. So, one might say that Rupert is engaged in two journeys…one physical, the other internal and spiritual.


H.C. – Is the action continuous, or does The Prophetic Journey deal with a more mature Rupert?

The second book takes up immediately where book one leaves off: Rupert’s age is eleven. This episode covers approximately one year in time. The young prince will be challenged to his utmost. His struggles with inner doubts and flaws will be balanced by a profound sense of his ultimate destiny, as well as the blossoming of his burgeoning psychic and spiritual abilities.


H.C – The new character of ‘Drego’ is certainly a fascinating and multi-faceted one. What was your intention of adding him to Rupert’s circle?

I love Drego! He is indeed a very attractive fellow…a charismatic and nomadic performer who encounters Rupert under striking circumstances. The dilemma of whether to trust him or not continues unresolved…even after his eventual admittance into their circle.

I believe Drego adds a necessary ‘spice’ to the story. Obviously, while on this endless journey, the comrades would encounter a variety of people…who would affect their destinies in various ways. The young sovereign’s friends, Liam, Daniel, Morley, and of course, little Lira, are unquestionably brave, loyal, and selfless. It seemed desirable to add another element by inserting an unpredictable and perhaps even sinister fellow whose future actions could in no way be foreseen. Indeed, putting their faith in Drego could spell ruination for Rupert and all his hopes.


H.C. – Before encountering Drego, Rupert mysteriously vanishes for several days. When his friends at last discover him, he has no memory of what had transpired. Will this mystery be later resolved?

Very likely! However, don’t hold your breath. Multiple mysteries surround the Golden-Eyed Prince. Some may well be revealed in time, but others, perhaps not! It is just as in life…things don’t always tie into a neat package. Also, during the creative process, I often do not know what is to occur, even from page to page. And so, I am continually in a state of suspense myself.


H.C. – Apart from the obviously breath-taking action of the tale, what do you hope readers will take away from The Prophetic Journey?

I very much hope they will be intrigued and entertained, of course. But beyond that, there are many lessons to be learned. One theme, carried over from the first book, is that, no matter how dark or dismal the circumstances, one must never give up or lose hope. Matters within and without our own control may be at work to create something positive and astonishing out of darkness and despair. Another repeated theme is the ‘tapestry of life’…that only by achieving detachment, standing back and viewing the whole instead of one small segment, can we truly comprehend what is unfolding before us.

Young Rupert undergoes trials that would overwhelm someone many times his age. However, if despair envelopes him, it is only briefly. For a massive determination dwells within the Golden-Eyed Prince - to take what destiny brings and twist it to his will.

The very theme of ‘destiny vs. free will’ is presented continually in this second installment. Are we liberated creatures, shaping our own existence? Or are we powerless, passive victims of unforeseeable fate?


H.C. – There are an abundance of amazing occurrences in The Prophetic Journey. Do you have a favorite?

I believe they all fit into a mosaic, so it would be difficult to imagine one happening without the others. Without doubt, however, the events that unfold during the desert trek across Ribakesh will not only change the lives of hundreds of caravan travelers, but Rupert’s astounding deeds will, for the first time, be carried to the outside world. Thus, the ‘legend of Rupert,’ comes to be born, thrusting him from obscurity to prominence, while his true identity remains concealed. And so, the dazzling encounter with the ‘Raiders of Ribakesh’ will alter the young liege and his friends, forever.

By the way, without giving away too much…I’d written of the terrible events to befall the caravan without knowing how it might be resolved. Rupert received his life-shattering revelation the same moment I did! And so, I was as amazed as Rupert at the outcome.


H.C. – What aspects of the story are ‘prophetic’…as the title indicates?

Rupert’s abilities are continually blossoming and emerging. The ‘prophetic vision’ of the first book sends the comrades on the endless, brutally challenging road to Raja-Sharan. But intriguing ‘messages’ continually present themselves, either via dreams or waking moments of ‘knowing’, and both the boy and his comrades learn to rely upon them, though what they reveal may often be of dark import indeed.


H.C. – The climax of The Prophetic Journey certainly indicates there is more to come. Is that so?

Definitely. I’ve already completed the third installment, and am nearing to finish the fourth. I do not know how many books there will be in all…at least six, I’m predicting.


H.C. – Any hint as to what book three might contain?

Well, I will confess that book three changes everything! An earthquake takes place in The Prophetic Journey that crumbles the ground from under Rupert’s feet. In the third installment, there will be a metaphorical earthquake, shaking the young sovereign to his core. Everything and everyone he has believed in will be compromised, thereby causing profound damage to Rupert’s vision of his destiny and his role as a Golden-Eyed King. The coming devastation begins to reveal itself in the final pages of The Prophetic Journey.



[Helen C. is a world traveler and an internationally known educator. She met Marjorie while they both were living in Tokyo, and have been best of friends ever since.]

Book Three Author Interview

H.C. - It has only been a year since you published book two in ‘The Boy with Golden Eyes’ series. How is it that the third installment is already finished?

          I always ‘get ahead of myself’ in the writing process! In fact, the fourth book has been completed, and I’ve begun book five. I’d received requests from readers to bring out book three as soon as possible, as the ending of the previous volume was very much a cliff-hanger. And so, I agreed to not leave them suffering too long in suspense.

H.C. – The Fate of Raja-Sharan is certainly different in tone from the first two novels in the series. Was this intentional?

            Absolutely! Rupert’s challenges and trials in this newest installment plunge the young prince into a new realm. As always, my great-nephew Sam serves as inspiration for the hero. Watching him, as an adolescent, look upon the world and his loved-ones in a different light also influenced Rupert’s journey. Those the youthful sovereign had admired unreservedly are revealed to have, in a manner of speaking, betrayed him. And coming face-to-face with one of his most deadly foes will turn his world asunder. Though the Golden-Eyed Prince had been tested time and again in the previous books, what he must now face will take a permanent toll on his beliefs and his confidence.

H.C. – Rupert’s meeting with his ‘enemy’ Prince Jezra was something I found surprising and unsettling. Was this confrontation long in the planning?

            Through the first two novels, we had heard repeatedly of the evil King Ryker, but he had remained out of Rupert’s direct path. Arriving in Raja-Sharan, only to find Ryker’s kinsman looming to overthrow the rightful rulers, requires Rupert to act with unprecedented daring, and to act alone. But his desperate tactics will bring ominous consequences, which almost cost the young liege everything; his beliefs, his traditions, his values…his life. But this encounter was long destined to take place.

H.C. – How would you describe Jezra? You seemed to relish writing about him.

            I did indeed ‘relish’ Jezra’s invasion of the narrative. He is clever, wily, unpredictable, and decidedly sadistic. The Prince from Zahira is at first astonished to find a golden-eyed survivor in his midst, but soon prepares to take advantage of the fact, shattering his captive’s will in the bargain. He is three times Rupert’s age, and the boy is unprepared for such a devastating confrontation. 

H.C. – Would you say Jezra acts as a catalyst for Rupert’s ‘transformation’?

            Without doubt! Rupert is forced to grow up, almost instantly. He can no longer deal with absolutes, believing all situations are black and white. But the very harsh revelations Jezra thrust upon him tests him as never before. And there will be no going back for Rupert.


H.C. – There exists quite a contrast between Rupert and his kinsman, the young Raja Bajra. Did you intentionally draw parallels between the two adolescent royals?

            Certainly, though in many ways, comparisons are unfair. After all, Rupert has been leading a life of unending challenge since leaving his forest home several years before. The young Raja had been unexpectedly thrust into leadership after the murders of his father, mother, and elder brother. He is inexperienced and overwhelmed, with traitors surrounding him. Yet with so much at stake, Rupert has little sympathy for someone indulging in doubts rather than acting to preserve his kingdom.

H.C. – Rupert seems a modest young man who shuns the garish trappings of his royal cousin’s world. Will this affect his own choices should he rule someday?

            An interesting point…for I do not view Rupert as ‘modest’ at all! Quite the contrary, he has a very strong sense of his own worth, while finding untoward luxury to be a squandering of resources as well as foolish ‘frippery’. He has no patience for it, especially when ordinary folk might be in want. Should he eventually regain his crown, I don’t expect he’d indulge in any overly opulent life style…even though a king.

H.C. – Book three brings several female characters into prominence: Maya and Shomila in particular. How would you describe their contribution to the saga?

            There has been a decided lack of leading females in the story (with the exception of young Lira), but I could not introduce them until they made their presence known to me, so to speak. Shomila is a fascinating personage…someone Rupert had thought of as his ‘grandmother’…only to discover she possesses another identity, quite unknown to him. Now, he will come to regard her more as adversary than ally, while her true motives remain an enigma. Yet, she is someone who challenges Rupert at his own game of intuition, hidden powers, and ability to see the future.

            Young Maya I found rather irksome at first (much as Rupert does), but her evolution won my admiration. Her belief, and that of the citizens of Raja-Sharan, that she is ‘cursed’ due to a childhood mishap, causes her life to be one of terror and desperation. Yet, once she comprehends this ‘truth’ is not a valid one, she transforms almost at once, becoming instead fearless and resourceful, beginning a profoundly worthwhile existence.

H.C – Maya’s fate may be unforeseen by many readers. Did you have it in mind from the beginning?

            Well, without giving too much away…no, I had no idea in what direction Maya’s path would lead. As always when I write, I have nothing planned…events are only ‘revealed to me’ as I go along. In fact, I’d assumed something quite different for her…but that is not how things evolved. I was as surprised as everyone else.

H.C. – The character of Drego also undergoes unsettling potential developments in book three. Yet, the matter remains unresolved. Any comments?

            Again, I shouldn’t reveal too much, but yes, Drego may (or may not) be undergoing a stunning transformation. Rupert is the only one aware of possible hidden realities concerning his comrade. He proves not at all eager to verify the truth, which, I believe, says much about the Golden-Eyed Prince’s evolving state of mind.

H.C. – As you indicate, Rupert certainly undergoes a profound metamorphosis in book three. Will he revert to his former self in time?

            That cannot be. We never ‘go back’…only ‘forward’! The shattering disclosures heaped upon the boy cannot be erased, nor can the terrible trials he endures, both emotional and physical. Thus, Rupert is changed, just as a youth growing into young manhood cannot return to innocent childhood.

H.C. – The topic of ‘fate’ and ‘destiny’ recurs repeatedly. How does Rupert look upon this, and how does it affect his actions?

            Yes, the topic is debated and dissected continually. The citizens of Raja-Sharan believe in it implicitly; that whatever is fated must be passively endured. Yet, though Rupert devoutly believes in his own ‘destiny’ to someday regain his crown, and though he has inarguably been ‘guided’ on myriad occasions, he still clings to the freedom to mold fortune to his will. And so, he remains torn between the two concepts.

H.C. – What occurs between Rupert and a gravely wounded Daniel late in the narrative certainly poses many questions to the reader. Have Rupert’s abilities truly developed to such an extent that he can do what he appears to do?

            Rupert’s abilities undoubtedly continue to flourish, despite…or perhaps because of…the obstacles he unendingly faces. The encounter he and Daniel share, literally at death’s door, is profound. Yet, it does not necessarily follow that this will ever occur again. In any event, the aftermath of Rupert’s duel with Jezra will alter the existence of all his friends, but perhaps their young prince most of all.

H.C. – Your great-nephew Sam and his younger sister Lucie are the original inspiration for Rupert and Lira. Have they continued to play that role in the development of the series?

            Absolutely! Without doubt, Sam plays an extraordinary part in ‘The Boy with Golden Eyes.’ It was originally conceived of as a gift for him, and his stimulating insights and ideas are always a catalyst for Rupert’s journey. He is an unending source of revelation. 

            Lucie was a toddler when the writing began, but now she is nine, and loves the books too. Her intelligence, confidence, and character all are a part of the remarkable girl Lira has become. Her impact only increases with future installments.

H.C. – What lessons, if any, would you like readers to take away from this story? 

            I often do not recognize the ‘theme’ until the book is complete. I am swept along with the narrative too. But a main motif of book three is that we must, in the end, be responsible for our choices, and thus create our own destinies. We cannot blame history, ancestry, or any other circumstance heaped upon us. They form a part of who we are, but a part only! We shape our own selves, for good or ill. That is often a very hard lesson to learn. Yet, I find it inspirational…for we are the artists of our own existence. Will we create a masterpiece…or mayhem?

            Another theme is the ephemeral nature of ‘truth.’ Exactly how that term is defined is often a matter of local belief and custom. Rupert comes to realize that, in some sense, it may not truly exist at all. This is a profoundly liberating thought to the young prince, leaving him free to blaze his own path without seeking to conform to the expectations of others.

H.C. – Any hint as to what book four might cover? How many volumes will there be in the completed series?

            There will be at least six books in the Golden-Eyed Saga…but I won’t truly know until I discover how things will end. As to the fourth installment, Rupert’s circle will grow, as memorable new characters appear, altering the destinies of all concerned. Again, Rupert’s abilities will expand and flourish, in part due to his mystical mentor, Shomila. And a brilliant warrior with a devastating past will also exert a major influence on the young prince. 

Yet with new abilities comes unsettling responsibilities. Is Rupert accountable only for the fate of his very distant kingdom? Or must he be answerable to every injustice crossing his path? This conundrum looms as he travels through remote and alien lands. And as always, Rupert’s choices may prove as unpredictable as the forces of nature. 

The interviewer, Helen C. is a semi-retired educator and world traveler. She met the author many years ago in Japan, and they have been the closest of friends ever since.
            


BOOK FOUR AUTHOR INTERVIEW


H.C. – This is the fourth book in your series, The Boy with Golden Eyes. Has the writing experience changed for you?

        Actually, the joy and satisfaction have only increased. It has been especially rewarding to hear from fans of all ages in Australia, the UK, Switzerland, and beyond. I am so involved in the creative process that I forget there are people out there savoring Rupert’s adventures! One thing has certainly not changed…I have no idea how the plot will evolve or how the puzzle will eventually fit together. Somehow, it does, giving the continued feeling that the story is somehow ‘guided!’

H.C. – We find more major female characters in ‘The Prophet of Doom’…was this intentional?

            I am delighted that women have become a major part of the saga. I always intended this to be the case, but I could not artificially ‘insert them’ until they organically appeared. I am very fond of Zara; she is a splendid role model for Lira, and accepts nothing less than complete equality. Lira, too, is transforming with shocking rapidity; for she must adapt to the brutal, demanding, world she inhabits. I admire both greatly.

            In addition, for the first time, we come upon a realm governed by women. Narkesha’s queen, however, proves no more enlightened than many male monarchs.

H.C. – Speaking of women, Shomila has a very distinct role to play in book four. Are her actions towards Rupert intended to be sinister? I sometimes have trouble unraveling her motivations!

            While I would agree Shomila is often ‘manipulative,’ I hardly think she is sinister! Her intentions are to introduce Rupert to a wider ‘reality’. But, as is often the case with ‘guru-like’ figures, they do not ‘explain,’ but instead dare to assail the novice’s heart and mind with endless conundrums. Rupert is stymied at first, but in the end comes to respect her daunting methods.

H.C. – The introduction of the ancient monoliths is fascinating. What special significance do they have for Rupert?

            The giant stone figures were originally envisioned as simply a point of interest on their journey through Narkesha. Obviously, they would fascinate Rupert, but presumably he would puzzle over them and move on. I was as startled as my hero when they announced their long-concealed name to the boy, setting off catastrophic events that would upend the kingdom. Yet, their ultimate secrets, and the scrolls connected with them, are yet to be disclosed.

H.C. – Komo is a fascinating addition to the tight knit circle of Rupert’s supporters. How does his presence change their long-established dynamic?

            For me, Komo is a very moving character. I spent years in Japan, and was drawn to its ‘samurai’ heritage. Clearly, Komo reflects that. He clings to ‘Nyapanna’s’ code of honor, though it brought about the decimation of everything he cherished. As a warrior, he is a nonpareil. Rupert is determined to become his equal. The swordsman becomes his mentor, and, along with Shomila, displaces Liam and the others to a degree. Rupert cannot entirely erase the ‘betrayal’ experienced upon learning that Liam and Daniel had hidden dark yet vital information concerning his Golden-Eyed Heritage.

H.C. – While Komo’s tutelage in the martial arts is introduced, I find a greater element of ‘magic’ in ‘The Prophet of Doom.’ Is this intentional?

            It is true that Shomila’s abilities are indeed ‘esoteric’…yet I wouldn’t define her as employing ‘magic.’ Instead, she demonstrates that ‘reality’ may be very different from what Rupert has been led to believe. The boy responds with alacrity to a concept that would intimidate many others.

H.C. – Speaking of that, there is some similarity between the belief in ‘curses’ in Raja-Sharan, the ‘Separu’ code of honor in Nyapanna, and the dark custom of sacrificing children in Narkesha. What effect do such disparate beliefs have on young Rupert?

            This, along with Shomila’s teachings, causes him to reflect upon ‘reality’ and ‘truth’ and whether they exists at all! He soon concludes it is a product of tradition and beliefs…and what applies to one kingdom or group may be rejected as absurd by others. This liberates him tremendously…leaving Rupert free to construct his own verities. Yet, imposing his ‘vision’ onto alien people brings about dire consequences indeed. Moreover, does he have the right to do so? The answer remains enigmatic at best.

H.C. – I am also intrigued by ‘Vodos’…where Rupert is instructed to go by way of a vision from a long-dead loved one. The locale is not to be found on any map. Does that mean it does not belong to this world?

            ‘Vodos’ is certainly a mystery. Rupert intuits where it may be, despite the unorthodox way this is conveyed. Could the place be so remote that it remains uncharted? Or instead, is it a ‘state of enlightenment’ that one may only discover when ready? Trusting in his intuitions, he saves his friends from the upcoming cataclysm, and thereby discovers a hidden trove of knowledge…which he cannot decipher. Will the caverns, or the texts, prove to be Vodos? This remains to be revealed.

 

H.C. – Rupert’s encounter with Narkesha’s princess, Tyrka, has a marked effect on his actions and personality. Are we to believe he is being influenced by outside forces, or are his headstrong, disdainful doings entirely his own?

            I believe Rupert was experiencing nothing other than a wild infatuation…his first. Therefore, he was unprepared to deal with it; but as a royal, felt no obligation to permit wiser heads to advise him. Rupert’s shortcomings are genuine; he is not a perfect being, while nonetheless extraordinary.

H.C. – Unanswered questions concerning Drego continue unresolved through book four. Can we look forward to revelations on the subject any time soon?

            Book five will bring clarity on whether or not Drego is the ‘true king.’ In The Prophet of Doom, the matter hangs over Rupert like a suffocating cloud, yet he stubbornly refrains from seeking any resolution. In time, the burden of suppressing his fears will prove overwhelming.

H.C. – You previously mentioned the influence of your great-nephew Sam and his sister Lucie on your work. Does this continue?

            Absolutely! Sam is Rupert, and Lucie is Lira! I could not write without their energy and inspiration. They give me constant feedback and wonderful suggestions and ideas. They help create the characters and I feel blessed that they are such a vital part of this journey. They also enjoy attending the book launches, and interact brilliantly with fans. I believe readers are far more excited to meet them than me…since the two are as remarkable as their fictional role-models! Ultimately and always, these books are for them.

H.C. – Prince Rupert has become known for his courageous, noble deeds. Yet in the latest book, he will be reviled as a bringer of darkness. How does this affect the young hero?

            Perhaps surprisingly, Rupert is able to accept this with a measure of ironic detachment. He considers himself neither the luminary of legend, nor a monstrous evil-doer. He comes to understand that reputation is a fleeting and constantly shifting thing. Again, this frees him to simply do what he believes is right, allowing others to lavish praise or heap scorn as they see fit. For none but his friends might know the truth of the matter.

H.C. – What overall lessons would you like hope the reader will come to understand?

            First, let me say how gratifying it is that people of all ages are discovering the world of Rupert and his comrades. Each individual, of course, will have their own take on what the ‘message’ might be. However, one point I find fascinating is that ‘reality’ and ‘truth’ indeed possess a flexible nature, allowing us to become their master rather than their prisoner. Ultimately, we should strive for liberation rather than accepting limits imposed by others.

H.C. – You’ve already mentioned a book five coming later. Do you know how long the series will ultimately be?

            I’m still presuming to end with the sixth installment. Yet, I’m already contemplating a future series focusing on young Lira, who also has an extraordinary destiny awaiting! Time will tell.

(Helen C. is a world traveler and internationally known educator. She met the author when they were both living in Tokyo, and they have been close friends ever since).


BOOK FIVE AUTHOR INTERVIEW


                                  
H.C. - Congratulations on ‘Riddles and Revelations,’ the fifth book in your series! How do you feel it compares and contrasts from the previous installments?

            Though it picks up where ‘The Prophet of Doom’ leaves off, perhaps the greatest difference is the resolution of a number of major mysteries and uncertainties that have long plagued Rupert, as well as greater focus on the metaphysical elements woven throughout the tale. And certainly, we find Rupert undergoing trials that creates a greater maturity than ever before.

 
H.C. – The title certainly does fulfill its promise.

            Yes, the heretofore ambiguous status of Rupert’s comrade, Drego, will be made resoundingly clear. We also learn a great deal more about those perplexing monuments and scrolls encountered earlier. Of course, other pieces of the puzzle remain to be unraveled.

 
H.C. – Did you know the truth about Drego since the beginning?

          Absolutely not…odd as that may seem. When his eyes turned golden, very briefly, in book three, it came as a total surprise to me! The ‘facts’ are always revealed only as I write, evoking a delicious state of suspense in me as the author! I remained uncertain whether Drego was Rupert’s father, and thus, the true king, until much later. Of course, this surprising development will bring complications aplenty. The intentions of father and son to honor one another are soon tested when the two are drawn into a painful, if inevitable, power struggle.

 
H.C. – A startling series of critical decisions hang over the Golden-Eyed Prince in this latest installment.

          A number of things come to a head in book five. Rupert must resign his status as ‘king,’ just as the occult knowledge he craves is dangled before him by a band of hermit monks demanding he relinquish the world and its allurements. This conundrum became a vehicle enabling Rupert to consider in some depth the multiple ways of viewing ‘reality’…including the concept of ‘enlightenment.’

 
H.C. – Rupert becomes sorely tempted to abandon his friends as well as his mission to free his homeland, which may shock some readers.

          Rupert is faced with a terrible predicament…can he discover ‘ultimate wisdom’…something he craves beyond all else…while remaining ‘entangled’ with the brutality and ‘illusion’ of the world. This requires him to decide his path once and for all, for there will be no going back.

 
H.C. – Drego and Rupert seem ‘in sync’ on a number of occasions. Might we assume, knowing Drego’s true identity, that he is also being guided by the same forces that direct his son?

          It is certainly no coincidence Drego’s lost memories are restored at the very moment Rupert reveals his comrade’s identity to Morley. Furthermore, just as Rupert is tempted by Mauro’s offer, Drego experiences the epiphany that he is Rupert’s father and the true Golden-Eyed King. Their lives have become inescapably intertwined, and, like it or not, one cannot now act without affecting the other in untold ways.

 

H.C. – I confess I find it unsettling to contemplate Drego seizing power as Rupert is finally about to begin his campaign to overthrow King Ryker. Shouldn’t HE be the one to lead after all he has done? Sometimes, I resent Drego asserting his rights at such a moment.

          Interesting! However, the fact remains that Drego has been deprived of his due his entire life. Ready or not, he is the king! Of course, Rupert becomes reluctant to hand over his crown…especially to someone he has previously so resented. In addition, stripping Rupert of authority threatens to generate dire consequences.

 
H. C. – Shomila seems noticeably more ‘open’ in book five. What is the reason for this?

          She is, because Rupert is progressing and comprehends much more than before. She is not one to sit down and explain anything, instead preferring to unsettle her pupil with baffling glimpses that disrupt his concept of ‘reality’…then wait for him to connect the dots. A rapidly maturing Rupert now understands the enormous part Shomila has played in the destinies of the Golden-Eyed Kings, thus erasing much of his past resentment towards her.

 
5H.C. – I also find a pronounced ‘feminist slant’ in ‘Riddles and Revelations.’

          Yes, Zara is unrelenting in her demands for equality, and the birth of her son does little to alter this view. Lira, too, undergoes a traumatic transformative experience, and now determines all the more to be master of her own fate. I find all three females to be extraordinary. But one characteristic they possess in common is that they will not be undervalued or dismissed. One of the greatest motivations for the comrades’ crusade is to allow women to live with a measure of freedom and dignity.

 
H.C. – The confrontation between Rupert and his nemesis, Prince Jezra, though violent, puts new abilities on display.

          Yes, Rupert and Jezra’s ‘reunion,’ despite the terrible circumstances, allows Rupert to manifest talents which had been as yet untested. His proficiency with the sword is due to unending practice with his mentor, Komo. But his capacity to move beyond his physical limitations is something of a marvel, enabling him to survive against terrible odds.

 
H.C. – The defeat of Jezra only adds to Rupert’s growing mythic status. Yet, acclaim is something he regards with mixed feelings at best.

          Without doubt, he comprehends that his larger-than-life persona is something he can wield to great effect when necessary. Yet, adoration is something he both dislikes and distrusts.

 
H.C. – You have always mentioned your great-nephew Sam and his sister, Lucie, as being the inspiration for Rupert and Lira. Has this continued to be the case?

           Absolutely. The story has always been written principally for their pleasure. They provide incentive, vision, and enthusiasm. I love to brainstorm with them. Both are maturing rapidly and involved in their own fascinating life journeys…but I hope they’ll always be on the road with their fictional counterparts. And perhaps someday, their children and grandchildren, too, will become part of the comrades’ inner circle!

 
H.C. – What, in particular, do you wish your readers to take away when they close the cover?

          There are a number of important themes woven through the story. Perhaps one recurrent motif is that ‘reality’ is, in very large part, what we conceive it to be, and that there are uncountable variations to be found therein. In other words, we are never truly trapped or limited…except by our own beliefs. Rupert’s world is constantly expanding…not only because he travels to new lands, but because, physically and spiritually, he pushes back the boundaries of ‘what is’…enabling him to explore new dimensions of thinking and being.

          Also of significance is that, even in the darkest of moments, something outside our immediate vision may be occurring that will, in the end, bring meaning and value to our trials. Therefore, we must never give up and always live with hope and courage.

 
H.C. – There still remains the task of freeing Rupert’s homeland from King Ryker’s vise-like grip. So, obviously, there must be a book six in the offing.

          Yes, indeed! I am planning book six to be the final entry…though, I’ll only know that for certain when I’ve written the final chapter. Rupert, if he survives, will still be very young…and who knows what the future may bring him after that!

 
H.C. – Do you have any plans for after book six is done?

          Believe it or not, I’m already planning a ‘spin-off’ series featuring the central character of ‘Lira.’ She’ll be left in a very intriguing situation when ‘Golden-Eyes’ ends, and I’m eager to enter her world. It will be called ‘The Lira Chronicles.’ Hopefully, readers will enjoy following her exploits as much as they did Rupert’s.

Helen C. is an educator of international repute. She met the author many years ago in Tokyo, and they have remained close friends.